Learn Hindustani Classical Vocal

Gandharva Prarambhik Year 1

4.7(102)

Knowledge of Thaath, Shudha Swaras, Vadi, Samvadi, Audav-Shadav,Aaroh-Avroh and one Chhota Khayal in each raga of the first year course. Knowledge of Shudha and Vikrit Swaras, Alankar, Nad, Saptak, Mela, Raga, Jati, Alap, Tan and Pakar. Knowledge of Taal Keherva, Taal Daadra, Taal Teen Taal. Ragas: Asavari (shuddha rishabh), Bibhas,Kaafi, Khamaj, Bhup, Bageshri, Vridavani Sarang, Bhimpalas, Durga, Des.

Gandharva Praveshika Pratham Year 2

4.5(111)

Matric Music Knowledge of Sangeet Dhwani, Naad, Swar, Shudh Swar, Vikrut Swar, Varjit Swar, Saptak, Mel, Alankar, Raag, Jati (Audav, Shadav, Sampoorna), Vadi, Samvadi, Pakad, Alap, Tan, Swar Malika, Lakshan Geet, Sthayi, Antara, Lay (Vilambit, Madhya, Dhrut), Matra, Taal, Bibhag, Sam, Khali. Ragas: Bageshri, Khamaj, Yaman, Kaafi, Bhimpalasi, Bhoopali. Tala: Ektal, Chautal, Jhaptal. Knowledge of systems of Hindustani and Carnatic music; specialities of Nad, Varna, Swaralipi of Vishnu Digambar and Bhatkhande paddhati.

Gandharva Praveshika Purna Year 3

4.5(132)

Matric Music Knowledge of Sangeet Dhwavni, Naad, Shruti, Saptak, Aaroh-Avroh, Gruh, Ansh, Nyas Swar, Purvang, Uttarang, Purva-Uttar Raag, Shudh, Chayalagh, Sankeerna Raag, Vakra Swar, Meend, Kampan, Sparsh Swar, Gamak, Ghaseet. Geet Ke Prakat Dhrupad, Dhamar, Khayal (Vilambit), Drut Bhajan. Knowledge of systems of Hindustani and Carnatic music Swaralipi of Vishnu Digambar Paluskar and Vishnu Narayan Bhatkhande paddhati.

Parampara Series Gayaki 101

4.6(104)

1. Foundations of Hindustani Music Learn the essence of swar and sur. Discover your natural Sa and develop initial pitch and tonalawareness through guided listening and vocal drills. 2. Voice Training and Alankars

Parampara Series Gayaki 102

4.7(109)

Chapter One: The Shadja Concept Understanding the concept of Shadja the mother of all swaras. Application of the trilogy concept and enhancing exercises to amplify the importance of the concept. Chapter Two: The Kharaj Understanding the importance of Kharaj and its application in singing. Exercise pertaining to the development of the concept.

Parampara Series Gayaki 103

4.6(112)

Chapter One: Omkar The Universal Sound The Universal sound the primordial concept is important with direction of the spiritual aspect of music. Exercise Chapter Two: The SA - RE - GA Combination (Shruti based)

Prayag Vocals Year 1

4.5(114)

Definition: sangeet dhvani, naad svar chal svar, achal - svar, shuddh svar, vikrt svar, aaroh, avaroh, vaadee sanvaadee , lay, maatra, sam, taalee khaalee, aur aavartan Raga Introduction - Brief introduction to the Ragas of the course. Rhythm Introduction - Brief introduction to the rhythms of the course. Five simple Alankar.

Prayag Vocals Year 2

4.7(109)

Definition and Simple Explanation Sound, Origin of sound, Vibration, andolan (regular irregular, steady unsteady andolan), Movement number, Three characteristics of Naad, Naad, that high-lowness of andolan related to number, Naad and Shruti, Types of song Bada Khayal, Chhota Khayal, Dhrupad and Lakshan - Components of the song (Sthayi, Antara, Sanchari, Aabhog), Janak Thaat, Janyaraga, Ashrayaga, Graha Ansh, Nyas, Vakra-Swara, Samay time and Purvanga-Uttrang of the octave, Wadi Swara at the time of Raga Relation to, east-north raga, tigun, chaugun, mead, kana, sparsh-swar and vikrit swar Raga Introduction: Complete introduction to first and second year ragas and practice of writing them in swara script including thaat, swar, aroh avroh, jaati, pakad, samay, varjyaswar and alap taan.