Jhaptal
A ten-matra cycle grouped 2 + 3 + 2 + 3.
Notes and identity
| Field | Value |
|---|---|
| Matras | 10 |
| Vibhags | 2 + 3 + 2 + 3 |
| Sam | matra 1 |
| Tali (claps) | matras 1, 3, 8 |
| Khali (wave) | matra 6 |
| Markers | X · 2 · 0 · 3 |
| Typical use | madhya-laya khayal, instrumental gats |
Theka
A skeletal pattern for following the cycle; accompaniment and bol choices vary with the performance tradition.
| Matra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
|---|---|---|---|---|---|---|---|---|---|---|
| Bol | Dhi |
Na |
Dhi |
Dhi |
Na |
Ti |
Na |
Dhi |
Dhi |
Na |
| Mark | X |
2 |
0 |
3 |
The asymmetric 2+3+2+3 grouping (short–long–short–long) is what the ear tracks.
Counting
Clap on 1 (sam), 3, 8; wave (khali) on 6.
Laya & repertoire
Common for medium-tempo khayal and instrumental gats; its uneven grouping makes it a good early "asymmetric" tala after the even Teental/Kaharwa.