Bilahari
A bright, asymmetrical Shankarabharanam-derived raga: a compact pentatonic ascent opens into a seven-note descent.
The sound
Bilahari combines a direct, five-note ascent with a fuller descent. The return of Ni and Ma on the way down is essential: the raga is not simply Mohanam with a different name.
Scale
| Svara sequence | |
|---|---|
| Ascent — arohana | S R2 G3 P D2 Ṡ |
| Descent — avarohana | Ṡ N3 D2 P M1 G3 R2 S |
Svara key: R2 chatusruti rishabha, G3 antara gandhara, M1 suddha madhyama, D2 chatusruti dhaivata, N3 kakali nishada. Parent: Melakarta 29, Shankarabharanam.
N3 is the Ni in this basic outline. Bilahari also uses N2, Kaisiki Nishada, in particular phrases such as P D2 N2 D2 P and P D2 N2 P. This additional note does not replace N3 throughout the raga.
How to recognise Bilahari
- Ma and Ni are absent in the usual ascent but return clearly in descent.
- The descending
Ṡ N D P M G R Sseparates Bilahari from Mohanam's pentatonic return. - Compare the shared ascent with Mohanam, then listen for the extra notes in Bilahari’s descent.
Compositions to know
- Dorakuna Ituvanti — Tyagaraja
- Na Jeevadhara — Tyagaraja
- Sri Balasubrahmanyaya — Muttuswami Dikshitar
Related: Melakarta 29 · Svara key · Raga