Adi tala
Carnatic music’s familiar eight-count cycle: 4 + 2 + 2.
The eight-count cycle
Adi tala is the commonly used name for chatusra-jati Triputa tala. One cycle, or avartanam, has eight primary counts arranged as 4 + 2 + 2.
| Part | Counts | Hand action |
|---|---|---|
| Chatusra laghu | 4 | Clap, little finger, ring finger, middle finger |
| First drutam | 2 | Clap, wave |
| Second drutam | 2 | Clap, wave |
How to keep Adi tala
Keep the pulse even and perform this sequence:
1Clap2–4Count the little, ring and middle fingers5Clap;6wave7Clap;8wave
The hand pattern marks the three angas clearly: 4 | 2 | 2. Repeat from the first clap to begin the next avartanam.
Gati, Kala and Graha
- Gati — subdivision tells you how each primary count is subdivided. In chatusra gati, every count contains four equal inner pulses.
- Kala — count expansion changes how much musical time each hand count occupies. It should be stated separately from the
4 + 2 + 2structure. - Graha — starting point tells you where a composition begins in relation to the first count. A composition may begin on the first clap or before or after it.
At one-fold Kala in chatusra gati, the cycle contains 8 × 4 = 32 inner pulses. That is one common realization of Adi tala, not the definition of every performance in it.
Try one avartanam
Say ta-ka-dhi-mi once inside each of the eight hand counts. Keep the syllables evenly spaced while the hands continue clap–fingers | clap–wave | clap–wave. Slow down if the hand cycle and spoken subdivision separate.
Related terms: Tala · Avartanam · Laghu · Drutam · Gati · Kala · Graha
Compare this cycle in the Suladi Sapta Tala matrix.